OUR BUSINESS PARTNERS
PARTNERSHIPS BUILT WITH STRENGTH AND SUSTAINABILITY
With over a combined 70 years of experience in the industry, our business affiliations are fortified by years of navigating and building strong positive connections and relationships with other artists and industry professionals worldwide.
Rouse Legacy is Charles “Chico” Rouse, Jr. – a successful professional entertainer, musician and educator, producer and promoter with 50 years of experience in the vast entertainment world controlling finances, budgets, programs, operations and performances.
“I grew up in the entertainment industry with two prominent, influential parents and all their peers, my father, Charles Rouse, a renowned and celebrated Saxophonist in American Jazz History, my mother an acclaimed dancer in the Savoy Theater and the legendary Cotton Club with Lena Horn. My producing and promoting education in the music industry stems from working with George Wein, one of the most prominent producers in America.” -Charles “Chico” Rouse, Jr.
Amadè Music, Inc. is a Music Services company, providing customized services to a national and international clientele. World class musical excellence and responsive service is the hallmark of this emerging company, based on the talents of its President and Creative Director, Roderick Phipps-Kettlewell.
Review: 2 February, 2002 in Weill Recital Hall at Carnegie Hall
“…There are concerts when the stars align such that one leaves this dimension entirely and for a blissful span resides in some world that is more beautiful, more profound, than anything imaginable…Mr. Kettlewell’s contribution was of stunningly beautiful substance, his playing a continuum of every nuance, and replete with the variegated textures and colors that swim and sparkle in this repertoire…Kettlewell delivered a glittering performance of Ravel’s Sonatine for piano solo. I’ve rarely heard the Steinway at Weill sound so good as he was able to coax it…The true spirit of the Mouvement de Menuet…walked elegantly in his care…” – Review by Darrell Rosenbluth in the New York Concert Review